When summer was about to begin and the
kids' classes were to end, my nieces were quite excited with the bombardment of
teasers of ABS-CBN's yet to be launched fanta-serye, Dyesebel. My nieces, aged
9 and 4, were hoping that the lead star would either be Kim Chiu or Kathryn
Bernardo.
The first disappointment of the show
came from the announcement of who would play not only Dyesebel, but so much
more, Fredo. In this household, where everybody loves Kim, it also follows that
we abhor Gerald. It does not matter whether or not Kim had already made amends
with him. He would always be the jerk who broke Kim's heart and the moron who
caused the breakup of the once ideal friendship between Kim and her ex-best
friend who is now Gerald's current lover.
I don't have anything against Anne. She
is not perfect. She is a socialite who lets her real self out once drunk. Given
that nature, she could have been assigned to more mature roles and not the ones
that are intended for younger audiences because for me as a guardian, she is no longer an ideal figure to
be looked up to. She is a good actress though. She can still excel in roles that are more spiteful and bitchy. And yep, age does matter for this kind of role.
I have caught some episodes of the series
and oh boy, it is cringing to watch Anne, acting like someone so naive and so kind.
Dyesebel is someone who is only beginning to realize what love is. Anne cannot
convince her audience that she's innocent and pure as how the character,
Dyesebel, ought to be. Why? For one, the issues that are hounding her greatly
affect people's perception about her. And she looks so mature to be given
dialogues asking about how it is to be in love or how it is to be kissed. No
matter how good of an actress she is, she cannot fake her age. It is similar to
actor Jericho Rosales given the role of a high school student in the movie ABNKKBSNPLAKO, now that he is
in his 30s. It is awkward to watch.
Watching Sam Milby struggling with his
dialogues is already a pain in the tail, haaaay. He cannot fake that he finds
it quite difficult to deliver his lines in Filipino. And then there's Gerald,
who does not only sound slang, but also has a thick Visayan accent, which he
has still not gotten over with. He sounds like his character from his past soap
opera, Budoy.
The series looks low-budgeted as well,
with cheap effects and the story is really bad. It seems like it does not know
where to take the story of this well-loved mermaid, which has been told a lot
of times in the past. I am a fan of Charlene Gonzales' film adaptation of
Dyesebel. It was fun to watch because of the great chemistry that Charlene had
with her leading man in the film, Matthew Mendoza.
Chemistry.
This is the problem with Ikaw Lamang,
Coco Martin's current primetime teleserye. Coco is undoubtedly the current eye
candy of whoever is responsible in giving projects to ABS-CBN stars. It appears
that somebody is now closely following his lead, JC de Vera. It used to be
Paulo Avelino and yep, let us not forget Jake Cuenca as well as Gerald. This is
the first problem with this serye - favoritism.
Okay, Coco and the rest of the network
favorite "boys" may have a huge following on free TV. They may have
the talents and charisma to their bosses. But with the network greatly favoring
them, there are a lot more talents who may even have bigger fanbases than these
boys' fans combined, who are not getting the right exposure despite the
people's clamor.
This has been going on with the network
for quite some time now and I don't think that this is going to change, just
because many people are already stating their dismay. This practice is going to
continue, not unless another network will come up with better offerings than
what we are seeing on ABS-CBN, which will pose as a serious threat.
Let us look into the second problem with
this series, which is chemistry. You need not watch it to conclude that Kim
Chiu looks better when paired with Jake, who is the antagonist in the series,
than with Coco. The contrasts between Kim and Coco are so pronounced that it
will make you feel uneasy watching them pronouncing love, hugging and kissing
one another.
Aside from the lack of chemistry between
Coco and Kim, the story is something that its producers have already used over
and over again - lost child, separated siblings, love against all odds.
Another problem with Ikaw Lamang (and most of the dramas that are produced by Dreamscape) is that it gives out the impression that women only live in search for true love, for the man who will finally give meaning to their lives. Ain't that the premise of the currently airing Mirabella (also produced by the same team)? A girl whose skin resembles a timber, but instead of searching for how it all came about, she wanted to find the one perfect man who will finally accept and love her for who she is. So sad...
I was able to watch an episode of Ikaw Lamang where all the character of Kim Chiu did was to defy everybody and voice out her serious intent of doing everything to be given the freedom to be with the character of Coco. And Coco's character is not even that lovable. He does not have what it takes to be loved by someone who has it all. This period drama is not giving anything about the period it is supposed to be in. They can set the same crappy material in the modern era and they can still pull it off. It will be even easier since the characters need not inject deep Filipino words every now and then just for the drama to be qualified as a period piece. Ang pangit =(
Another problem with Ikaw Lamang (and most of the dramas that are produced by Dreamscape) is that it gives out the impression that women only live in search for true love, for the man who will finally give meaning to their lives. Ain't that the premise of the currently airing Mirabella (also produced by the same team)? A girl whose skin resembles a timber, but instead of searching for how it all came about, she wanted to find the one perfect man who will finally accept and love her for who she is. So sad...
I was able to watch an episode of Ikaw Lamang where all the character of Kim Chiu did was to defy everybody and voice out her serious intent of doing everything to be given the freedom to be with the character of Coco. And Coco's character is not even that lovable. He does not have what it takes to be loved by someone who has it all. This period drama is not giving anything about the period it is supposed to be in. They can set the same crappy material in the modern era and they can still pull it off. It will be even easier since the characters need not inject deep Filipino words every now and then just for the drama to be qualified as a period piece. Ang pangit =(
Primetime Bida's Saving Grace
What started as a dragging and another
overused story, has redeemed itself and is now the only local drama on
ABS-CBN's primetime block that is worth to watch. I am not watching this
because I don't like Maja, but I am aware of people's reactions towards the
progress of the story and the great acting of the actors, especially its main
female lead, Angel Locsin, because the show has become the talk of the town.
The way that the story of The Legal Wife
is being handled, not including its dragging beginning, the group that created
it must be commended for a job well done. This is the same group that handled
the Kathryn-Daniel serye, Got to Believe. I don't approve of the latter's storyline's
extremely close resemblance to Meteor Garden, but I liked the fact that even
though they injected family problems, the teamup of Kathniel remained to be in
the spotlight of the show in its entirety. This would not have been the case if
the group that is handling Dyesebel and Ikaw Lamang created G2B. It would have
lots of subplots and sulpot characters who will be given more exposure at the
expense of the leads no matter how popular they are.
Why am I ranting? It is summer. The kids
are free to watch TV. I used to enjoy local dramas and they watched with us
too. Now all that they want to do is to watch DVDs of Frozen, Bride for Rent
and Bakit Hindi Ka Crush ng Crush Mo over and over and over and over again and
again and again.